More pertinently, and worryingly, a few days before departure, I received an email about an additional obligation: the hour-long fan “photo experience” – something we knew nothing about, and which, as one might imagine, set numerous alarm bells ringing.  I queried the email and was assured that such a photo experience was demanded “in all of the contracts”. Not in ours, it wasn’t. Nor indeed had our agent heard any prior mention. And a good thing too, because had it been in the contract, I might well have encouraged Robert in his likely desire to avoid it. When you are locked into something you dislike, you instinctively look for a way out. Once we had established that there was, in fact, no contractual requirement, the question was then a different one – whether in a spirt of goodwill and involvement, we should embrace the fan photo experience. Which we did – taking the advice of the organizers who recommended sunglasses, as there would be an hour of constant camera flashes. Sadly, even with sunglasses, I think I would make a very poor stand-in for the Blues Brothers.

For the shows themselves, my main concern once on board was to ascertain that the technical crew could definitely show the various clips stored on my computer on a large screen behind us. In the numerous technical emails before our arrival, I had been assured that this would “probably be alright”. Not quite the reassurance you need when it is a major part of what we do.

That hurdle safely negotiated, bar stools, although somewhat taller than our norm, were acquired, leaving just the shows themselves. These had a strange seating arrangement, where everyone with an orange or a green badge had a pre-arranged seat. One for our “orange show”, the other for our “green show”. The rules stipulated that even if there were unused seats (because someone didn’t fancy meeting “that awful man and his manager”,) the seats had to remain empty for the entire show. You thus perform to a hall with some empty seats, while I would regularly meet other cruise-goers saying that they would love to have seen us if they could. And some of the filled seats were inevitably up the gods, where geographically it was difficult for them to ask a question. I had already noticed on the Cruise to the Edge website that some of the less expensive internal cabins (no seaview) also came with restricted viewing at shows (can’t see the artists either).

The other ramification of the seating plan was that fans, knowing they had a pre-arranged seat, tended to turn up absolutely on time or indeed slightly late for shows. In the ten minutes before the show starts, we play outtakes from the Crimson movie (including one gem where Bill Rieflin compares his role in King Crimson to the unliked, unwanted, but nevertheless necessary kidney bean in the three bean salad). And both times, that movie played to an essentially empty hall with most people only catching the last few minutes,as they came in almost as we walked on stage.

I will leave comments on the shows themselves to those who attended. From my perspective from the stage, I enjoyed both, even though on the second show Robert was feeling increasingly unwell. A very good venue for what we do.

Which just leaves PART THREE leading to PART FOUR : EXPOSURE TO PUBLIC RIDICULE.